![]() ![]() Speaking about the collaboration, Coyne comments: “It’s always great to meet excited, young creative people. The first track they recorded was a cover of Girl In Amber, the video of which Nell shared late last year. Coyne chose Cave because Nell didn’t know him and wouldn’t have preconceived notions as to how to sing the songs. When a planned trip to record with the band in Oklahoma had to be cancelled due to covid, Coyne suggested Nell record some Nick Cave songs and email them to Oklahoma to be backed by the band. Their creative relationship began to flourish when she started to write her own songs. A musical bond formed, with Coyne staying in contact with Nell and her father Jude as she learned to play guitar. Coyne noticed the kid in the parrot suit and sang a David Bowie cover directly to her at the show in Calgary, with Nell singing every word back. Nell had already attended several Lips shows and was a regular at the front of the stage, dressed in a parrot costume and screaming out the band’s songs. This inspiring and heartwarming story begin when Smith, originally from Leeds, moved to Canada and met Wayne Coyne at the age of 12 at The Flaming Lips’ show at the 2018 Sled Island Festival in Calgary. Nell Smith/The Flaming Lips’ When The Viaduct Looms will be released digitally and on cassette tomorrow, November 26th you can order yours direct from Bella Union, here.T HE EDITED PRESS RELEASE: “ Nell & The Flaming Lips’ Where the Viaduct Looms features nine Nick Cave covers with vocals and instrumentation by 14-year-old Nell Smith and instrumentation and production by The Flaming Lips. Watch the video for “The Ship Song”, below. That nine-song album features rereadings of Cave classics such as “The Weeping Song”, “Into My Arms”, “No More Shall We Part”, “Red Right Hand” and others. ![]() “Nell shows a remarkable understanding of the song, a sense of dispassion that is both beautiful and chilling. “I always found it difficult to step away from this particular song and sing it with its necessary remove, just got so twisted up in the words, I guess. I was going to say Nell Smith inhabits the song, but that’s wrong, rather she vacates the song, in a way that I could never do. I’m super happy to be working with Bella Union and really looking forward to everyone hearing the album.”Īnd the record gets the seal of approval from the great Australian tunesmith himself, with Nick writing over at The Red Hand Files: “This version of ‘Girl in Amber’ is just lovely. “I’m so excited to see this turn into a real record release. It was cool to listen and learn about Nick Cave and pick the songs we wanted to record. “I hadn’t heard of Nick Cave but Wayne suggested that we should start with an album of his cover versions, and then look at recording some of my own songs later. It was a really steep learning curve but Wayne was so encouraging when I was struggling with a few of the songs that I kept going. Nell adds: “I still can’t really believe it. It was a great way to connect with her and help harness her cool attitude to making music.” With Nell we could see she is on a journey and thought it would be fun to join her for a while and see if we could get things going. ![]() Wayne says: “It’s always great to meet excited, young creative people. The first track they recorded was a cover of “Girl In Amber”. Nell wasn’t aware of Nick’s mighty oeuvre and thus thought she would bring a new approach to the songs. When a planned trip to record with the band in Oklahoma was cancelled due to the virus, Wayne suggested she record some Nick Cave songs and email them over to be backed by the band and thus was an album born. Wayne began to take the fan and fledgling guitarist under his wing, and began to collaborate as she wrote her first songs. Converted to the cause, as so many are, she was soon a regular, down the front, resplendent in a parrot costume. The story of this record begins when Nell, aged 12, who’d emigrated with her family from Leeds to Canada, met Wayne at a show in Calgary. WELL that came pretty much out of nowhere, with only a two-week lead-in Wayne Coyne and his merrie band of Oklahoman astral explorers The Flaming Lips, are releasing an album of Nick Cave covers, Where the Viaduct Looms, tomorrow with vocals and instrumentation by 14-year-old Nell Smith and Dave Fridmann, of course, working his sonic magic from the other side of the screen.
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